Crisscrossing (Writing Tip #45)

Writing a novel is about juggling and merging several storylines. There is usually one main story happening, but there might be half a dozen minor stories occurring as well. The difficult part of writing fiction is being able to merge these stories together in an interesting and engaging way.

Let me tell you something if you don’t already know this. It’s hard work.
I’m 52,000 words into a novel. There is one main story, but at least ten minor stories as well. It’s being told from a first-person standpoint, so all those stories revolve around my main character. The difficult part is juggling all of this, not forgetting one storyline for too long, not going on about another story too long, making sure the stakes continue to get raised, and on and on.
How do you learn how to effectively crisscross your stories?
Trial and error. And error. And error.
This is where editors help immensely.
I feel an author should tackle something that is almost too big for him. If they’re fortunate to finish it, then they’ll have to go back and edit and rewrite and rework. You never get it right the first time.
The juggling act is the one part of writing fiction that can’t always be taught. I feel authors go by instinct, by their gut. The more they read and the more they get edited, the more they learn how to crisscross different storylines.
Part of the struggle and the payoff in writing fiction is to tackle a big novel where the storylines all come together in the end. It takes a lot of time, hard work, skill, and luck. And that’s before you hand it in to the publisher.

2 Comments

  1. Hi Travis,
    I was just browsing for good Christian suspense novels on Amazon and came across your work. Your books look very intriguing! I'm having a hard time deciding which one to download onto my Kindle first so I dropped by your site. This is a great blog post. I agree, tackle something too big and keep working on it until you master it. At least that's what I'm attempting to do. 🙂 Subplots not only heighten the tension, but they also allow you to explore other aspects of your character's emotions and relationships. My first few manuscripts are in third person, but now I'm working on a first person and it's definitely different. Anyway, looking forward to reading your books! They definitely don't look like typical Christian fiction, and that's a good thing.
    Blessings,
    Sara Richardson

  2. Glad you found my work, Sara. I hate boxes, whether it's a box of "suspense" or "Christian fiction." But authors need them to help readers know what they're writing. My favorite book I've published to date is SKY BLUE, but all my stories are like children. Each one means something to me. Hope you get a chance to check out a few! Thanks.

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